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“They Live”, the Weird Movie With a Powerful Message

Posted by Admin on April 22, 2012

http://vigilantcitizen.com/moviesandtv/they-live-the-weird-movie-with-a-powerful-message/

By  | April 17th, 2012 | Category: Movies and TV | 246 comments

They Live’ is a science-fiction movie from the Eighties that features aliens, a WWF wrestler and a whole lot of sunglasses. What’s not to like? While, at first glance, the movie appears to be a bunch of nonsense, ‘They Live’ actually communicates a powerful message about the elite and its use of mass media to control the masses. Is the movie describing what we call the Illuminati? This article looks at the deeper meaning of John Carpenter’s strange but fascinating movie ‘They Live’.

Warning: Major spoilers ahead (get over it, the movie is 24 years old).

Watching They Live is a conflicting experience. It is an odd combination of eye-opening messages with lackluster acting, powerful social commentary with 1950′s B-movie special effects and gripping satire with odd punchlines. Constantly making viewers oscillate between “Wow, that was genius!” to “Wow, that was corny!”, it is difficult to properly evaluate the movie from a cinematographic point of view. However, from a “message” point of the view, They Live is gold. Based on Ray Nelson’s short story Eight O’Clock in the Morning, the movie is one of those rare subversive stories that forces viewers to question their world and their surroundings. Because, despite the fact that the movie is about ghoulish aliens, it communicates truths to the viewers that are only alluded to in mainstream movies. In fact, looking deeper into the storyline, one might realize that there’s probably more “science” than “fiction” in the story of They Live … especially when one has “truth-seeing sunglasses”.

The hero of the movie, played by WWF wrestler Rowdy Roddy Pipper, is a drifter that is apparently nameless. In the short story and the movie’s credits, he is referred to as Nada, which means ‘nothing’ in Spanish. While this nameless nothing is broke and homeless, he still manages to expose the alien’s hidden rule of the world. How did he accomplish that? With the only thing he’d ever need: The Truth. Oh, and also guns. He used a lot of guns. Most importantly, despite the fact that Nada was tempted several times to shut up in exchange for “generous compensation”, he kept his integrity and never agreed to sell out to the aliens. Now, that’s a role model. To top it off, he says the best things ever.

“I’m here to kick ass and chew bubble gum … and I’m all out of bubble gum”.

Are the aliens in the movie an imaginative way to portray the world’s elite, those who secretly run the world, those we call the Illuminati? Let’s revisit this cult classic and see how it describes the hidden rule of the elite.

The Premise

Right from the beginning, as we see Nada walking around Los Angeles with his backpack, the movie sets a particular mood: Something is not quite right. While Nada appears to be a happy-go-lucky kind of guy, the city is not happy and it is not too kind to happy-go-lucky kind of guys. Quite the contrary, there is a sense of impending doom in the air: Poverty is rampant, helicopters fly around the city and street preachers speak of soulless beings ruling the world.

“The venom of snakes is under their lips. Their mouths are full of bitterness and curses. And in their paths, nothing but ruin and misery. And the fear of God is not before their eyes! They have taken the hearts and minds of our leaders. They have recruited the rich and powerful, and they have blinded us to the truth! And our human spirit is corrupted. Why do we worship greed? Because outside the limit of our sight, feeding off us, perched on top of us from birth to death are our owners. Our owners — they have us. They control us. They are our masters. Wake up. They’re all about you, all around you!”.

Is the preacher’s description of the “masters” applicable to the Illuminati? I believe so.

As we follow Nada’s aimless drifting across the city, the camera often focuses on people gazing blankly at television screens, mindlessly absorbing the vapid messages it communicates. Regular Joes appear to truly enjoy their television shows … until an obscure organization hacks the airwaves to broadcast subversive messages about the hidden rulers of the world.

“Our impulses are being redirected. We are living in an artificially induced state of consciousness that resembles sleep. (…) The poor and the underclass are growing. Racial justice and human rights are nonexistent. They have created a repressive society, and we are their unwitting accomplices. Their intention to rule rests with the annihilation of consciousness. We have been lulled into a trance. They have made us indifferent to ourselves, to others. We are focused only on our own gain. Please understand. They are safe as long as they are not discovered. That is their primary method of survival. Keep us asleep, keep us selfish, keep us sedated.”

Can the above statement be applied to the Illuminati? I believe so.

The Average Joes who watch this pirated TV broadcast all get a massive headache – the raw truth is indeed too much for most people to bear. One such viewer switches the channel after telling the guy on TV: “Blow it out your ass”. Just like today, most people do not want to hear about this kind of stuff … they just want to go back to their mindless TV viewing.

Nada realizes that the street preacher and the man on television are connected through a local church. When he sneaks into the church, he discovers that it is actually the headquarters of an underground organization.

On a wall inside the church is written “They Live We Sleep”, a phrase that describes the fundamental difference between the elite and the masses. Those in power know the truth about the world and possess the means and the power to truly “live”. The rest of the population is sedated, dumbed-down and manipulated into a zombie-like status in order for it to be as easily manageable as possible by the masters. The masses’ ignorance equals a state of endless slumber.

Nada learns that the rebellious organization is attempting to recruit people to take down the rulers. However, a few days later, Nada discovers what happens to those who plot against those in power.

Helicopters, bulldozers and police in riot gear raid the place, destroy everything and violently arrest the members of the underground organization. That is how the elite responds to contrary views.

After witnessing the violent police shakedown, Nada begins to realize that something is wrong in America. The happy-go-lucky guy who believed in working hard and following the rules is starting to believe that something is amiss here.

Determined to learn more, Nada re-enters the church and finds a few interesting things.

The police painted over “They Live We Sleep”. Obviously, “They” don’t want that message to be known.

More importantly, Nada discovers a box full of sunglasses that allows his to see the world as it is. Added bonus: They also look pretty cool.

Seeing the Truth

While the sunglasses found by Nada appear on the surface to be worthless, they actually provide him with the greatest gift of all: The Truth. When Nada first puts on the sunglasses, the experience is shocking.

When he has his sunglasses on, Nada sees through the smoke and mirrors projected by advertisement and mass media . He only sees the core of their message and the only reason why they exist.

No matter which magazine Nada flips open, he sees the same subliminal messages, which tells a lot about the true function of “celebrity” and “fashion” magazines. Despite the fact that they are all different, they all ultimately serve the same purpose: To reinforce messages from the elite to the masses.

Nada also quickly understands the truth about money.

“In God We Trust”?

Nada’s most shocking discovery concerns people around him.

Some people are not human. They are from another race that has infiltrated society.

Nada realizes that they are everywhere and that they hold positions of power, like this politician giving a typical “politician” speech on television. Is this a way to portray the Illuminati?

Upon discovering this truth, Nada became pissed off. REALLY pissed off. How did he react to the situation? He did not go home and write a poem about it. Nope, he grabbed a shotgun and started shooting aliens.

When the aliens realize that Nada can see through their disguise, they immediately alert the authorities saying “I’ve got one that can see”. Being able to “see” is obviously frowned upon by the aliens – they do not like to be exposed. Nada quickly becomes a social pariah and aliens start closing in on him. Confronted with this situation, Nada says profound and timeless words: “I don’t like this ooooooooone bit”.

Many aliens are part of the police force as its sole purpose is to ensure that the alien’s rule is not disturbed. Most policemen are however regular humans and just follow the orders because that’s their job … a little like actual policemen who do the Illuminati’s work.

Nada and everyone in the city are constantly monitored by flying surveillance cameras that are oddly similar to the new unmanned drones that are currently appearing around the world.

Flying surveillance cameras were considered science fiction in 1988. They are reality today.

An actual, modern unmanned drone mounted with a video camera.

The concept of truth-seeing sunglasses is an interesting way to illustrate the importance of knowledge in one’s world perception. Two people can be looking at the exact same thing yet perceive two very different realities, depending on the level of information and awareness possessed by each person. Nada’s sunglasses can therefore represent one’s knowledge of the truth, which allows a clear perception of reality.

Looking for Others Who Know the Truth

Upon learning the shocking truth about the world, Nada feels the need to share this vital information with his friend Frank Armitage. Nada however quickly realizes some people do not want to hear about it. In fact, many actually get angry and offended at the simple mention of something that alludes to it. When Nada asks Frank to put on his sunglasses so he can see what he sees, Frank firmly refuses and calls him a “crazy motha…”. Nada replies with another classic line “Either you put these sunglasses on or start eating that trash can”.

Then ensues one of the longest one-on-one fight scene I ever seen (eight minutes of punching and kicking), a scene that is dragged out for so long that it becomes utterly absurd and even comical. While the scene maybe appear ridiculous, it says something about the difficulty of making regular, average people wake up from their blissful ignorance.

Frank finally sees the truth. All it took is Nada beating the crap out of him, sticking the sunglasses on his face against his will and forcing him to look around. Yes, convincing other people of the truth can be a hard task.

It takes a lot of effort on Nada’s part, but Frank finally sees the aliens controlling the world. The two pals are then invited to a secret meeting of the underground organization that is attempting to rid the earth from the aliens.

During the meeting, Nada and Frank are given truth-seeing contact lenses. The sunglasses gave truth-seers a nasty headache, especially when they are taken off. When first exposed to the truth, adapting to the new reality can indeed be difficult, and even painful. However, after a while, it becomes seamless part of the person. A little like wearing contact lenses.

During the meeting, Nada and Frank learn that humans are being recruited by the aliens in exchange for wealth and power. As the leader of the underground organization says: “Most of us just sell out right away”. It is rather easy to make a correlation between the movie and actual politicians and celebrities we’ve seen in previous articles on this site who readily sell out to the Illuminati in exchange for wealth, power and celebrity.

The meeting doesn’t last long, however, as police barge in the place and start shooting everyone there. They are designated a “terrorist organization” by the elite. Nada and Frank manage to escape and accidentally find themselves behind enemy lines, in the alien’s underground base.

Behind Enemy Lines

While exploring the aliens’ underground base, Nada and Frank stumble upon a party thrown by the aliens for human collaborators to thank them for their “partnership”. Although humans will never be considered equals to the aliens, those who sell out to them get monetary benefits … much like those who are not part of today’s elite who nevertheless sell out to push the elite’s New World Order Agenda.

“Our projections show that by the year 2025, not only America but the entire planet will be under the protection and the dominion of this power alliance. The gains have been substantial, both for ourselves and for you, the human power elite.”

Frank and Nada then discover the source of the aliens’ brainwashing signals: A television studio. The aliens use the network to broadcast hypnotic and subliminal signals to humans, blinding them from the truth about their rulers and the world. The message that is communicated here: Mass media is the elite’s favorite tool indoctrinate the masses and to keep them in servitude.

The TV station ‘Cable 54’ is used by the aliens to hypnotize humans. Is this science-fiction? Barely.

Nada realizes that the only way to save humanity from the grips of the aliens is to go to the roof of the TV station’s building and to take down the emitter of the subliminal messages, disguised as a satellite dish. Indeed, without an elite-controlled mass media, indoctrinating the masses will be a lot more difficult. So Nada and Frank start shooting their way towards the roof, not an easy task.

The Disinformation Agent

While this lady appeared to be nice at first, she tried to mislead, deceive and even kill Nada during his quest. She ends up shooting his pal Frank in the head.

Nada met Holly Thomspon, a Cable 54 network executive, at the beginning of his wild rampage. While Nada appears to be somewhat enamoured with her, she always somehow brings trouble. During the “terrorist organization” meeting, Holly infiltrated the group, posing as a sympathizer and claiming that Cable 54 “was clean” and was not the source of aliens’ signal, which was false and misleading. Today, disinformation is widely used by the elite to confuse and mislead those who attempt to discover the truth about the world.

During Nada’s rush towards the roof of the network’s building, Holly appears again, claiming that she wants to help him. However, she is simply trying to kill him before the mission is accomplished. She is therefore another human that sold out to the aliens being used to disrupt non-corrupted humans attempting to liberate themselves and others.

Taking Down the Aliens

Here’s the biggest spoiler of them all: Nada manages to take down the aliens’ transmitter and saves humanity. This heroic move gets him killed, however, as a policeman inside a helicopter shoots him dead. Nada therefore becomes the quintessential hero, sacrificing his life for the good of humanity – a martyr for human freedom from soulless rulers.

Even though it cost his life, Nada visibly does not regret exposing the aliens to the world. With his last once of strength, Nada gives the aliens a uniquely human parting gift: the finger.

Once the aliens’ satellite dish is down, the masses are able to see the world as it is: the alien’s ugly faces are exposed to the world.

TV viewers around the world now realize that those giving the daily news were also those who controlled them.

In Conclusion

Although They Live is usually described as “a science-fiction movie that criticizes consumer culture”, the scope of its message actually goes way beyond the usual “consumerism is bad” lecture. They Live can indeed be interpreted as a treatise on the thorough and systematic conditioning of human experience in order for a hidden elite to covertly control, manipulate and exploit the masses. In the movie, the rulers are portrayed as a completely different race that perceives humans as inferior – something that can easily be correlated to the attitudes about the bloodlines of the Illuminati. The presence of these strong messages in the movie is one of the reasons They Live became somewhat of a cult-classic, despite the fact that it was panned by movie critics. As the years go by, the movie’s message is becoming increasingly relevant … and freakishly realistic.

Many of those who seek the truth about the world realize that it’s reins are held by an un-elected elite, one that is essentially hidden from the public eye. As the movie’s promotional poster says:“You see them on the street. You watch them on TV. You might even vote for one this fall. You think they’re people just like you. You’re wrong. Dead wrong.” Working behind the scenes, this secretive elite constantly works towards the creation of a global system that would serve its interests: a New World Order, ruled by one world government. As a human collaborator says in the movie to justify his selling-out: “There ain’t no countries anymore. No more good guys. They’re running the whole show. They own everything. The whole goddamn planet!”  To facilitate the rulers’ work, the masses are kept in the dark and are distracted with the fake puppet show that is politics and the “no independent thought” programming that is mass media. Apathy, ignorance and indifference are the elite’s best friends.

Despite its unimpressive special effects and odd dialogue, They Live manages to describe the world elite’s motives and strategy in a way that can be understood by all. And that is no simple task. However, in order to fully understand the movie’s message, one must be wearing truth-seeing sunglasses. Do you have yours on?

 

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A Conscious Rapper’s Take on Illuminati

Posted by Admin on January 15, 2012

http://vigilantcitizen.com/latestnews/a-conscious-rappers-take-on-illuminati/

By  | February 23rd, 2011 | Category: Latest News | 138 comments

Another rapper released a song about Illuminati and Hip-Hop. This time it is Wise Intelligent from the popular group of the nineties Poor Righteous Teachers. Here’s the article from allhiphop.com followed by some of my comments.

Jay-Z Illuminati? A Conscious Rapper Says NO!
Wise Intelligent from the legendary Poor Righteous Teachers breaks down the lyrics to his new song “Illuminati” and defends Jay-Z and Kanye West from allegations that they are members of the shadowy secret society. Song and editorial are below.

While I’m aware of the many informative literary works being published by some great men and giants in our community on the subject of Hip Hop and the Illuminati – this song, its lyrics, nor this blog are intended to prove or disprove any of what has been written, published and or lectured about concerning this subject. Rather, to interpret the lyrics to my work and direct our attention to the root cause(ers) of current world dilemmas. Below are the lyrics and a verse by verse overview of the works aim.

VS 1

Lucifer Son of the morning, shalom, good day good morning
All of the livin are mourning, he affixes sixes on them…
But didn’t the scripture warn them? delivered the revelations?
Still they debatin Satan’s use of major corporations

I didn’t intend on putting a song that addressed the subject of the Illuminati on this latest album. However, the producer Masada submitted the track right when we had just wrapped up the record. I mean we were about to master the project. I heard the track, and completed the song the day I heard it. I laid it and we mixed it. As, anyone familiar with Poor Righteous Teachers should know, the group’s 1996 album was called “The New World Order” and the inside cover album art displayed several books pertaining to the Illuminati and the lore surrounding it. The intent of this recording was to simply take the Illuminati out of the “boogieman” realm and demonstrate how its apparatus functions in our daily lives in plain view. I often say that the illuminati, like the freemasons ARE NOT necessarily “secret societies” rather they are a society of secrets.

Remember the plantation, remember the black enslavement
Remember the soul debasin, globe defacin, hidden persuaders
Remember your colonization, colonial education
Ignorance and ni**er sh*t, we get from the radio station

The rhyme points out well known historical events that effected and in many ways changed the world – like the enslavement of Africans and the colonization of the continent. The point being that the Illuminati represents the wealthy globe holders who were and still are responsible for initiating and financing some of history’s  most notable experiences. The rhyme goes on to express how mainstream media is very well managed and controlled with the function of controlling public opinion and mobilizing the poor and laboring masses to behave as the wealthy – less than one percent of the populace – would have them do.

Performers are getting younger, the dresses are getting shorter
It’s funny how these pedophiles market your sons and daughters
Target and breech your borders, kidnap your seeds deport them
Transport them over overseas where devils fiend auction and bought them

The above four measures of the song deal with the international trafficking of children as sex slaves to the wealthy and in many cases involving United Nations soldiers, as well as politicians from all over the world. A couple of years ago we learned that a United Nations ship was used to transport young girls from India to islands where they were then sold as prostitutes. These are not isolated instances of child kidnapping and abuse. This happens by design and is linked to major politicians, kings and sultans. Remember the Lincoln, NE. child prostitution ring that was traced all the way to the Reagan/Bush White House?

In ayiti someone caught them, if these are the seeds we lost them
Tossed them to hell they fell for what his system taught them
Gimme a minute to prove this, call it conspiracy theory
You never knew what the truth is, be sure that my enemy hear me

VS 2
All of this talk about Jay Z, being Illuminati
Or whether they got to Kanye, or whether or not they both gay?
This is irrelevant subtext call it celebrity gossip
Your taking it out of the context of Lucifer’s pertinent subjects

The point here is to say that if our focus is on Jay Z and Kanye West as Illuminati we do not understand and have missed the most fundamental function of the machine – world domination. The capping stone on the pyramid on the back of the dollar bill was set in place nearly one hundred years ago in 1913 with the establishing of the Federal Reserve Bank, thus centralizing the country’s economy. These corporation founders/owners enslaved Africans, killed off Native Americans, bankrolled pirate ships, insured slave ships, created eugenics programs, designed, staged marketed and promoted World War’s I, II, and the Vietnam War before Kool Herc “said it was Hip and we started to Hop.”

What is the criteria for a rapper being Illuminati? He sold a lot of records? P.E. did that! So did the Fugees and Lauryn Hill and Tribe Called Quest and Arrested Development? What would be the rappers purpose as a card-carrying member of the Illuminati – to mislead his fans? If so, we can include every well intended grammar school teacher,  pastor, minster, etc. for disseminating misleading information to their students daily to make their daily bread – some unaware and some well aware. Can’t be the subject matter of the records or we would have to include rappers like Kool G. Rap, Too Short, Ice Cube, NWA, Tupac, Biggie, and a plethora of others – who in my humble opinion are simply poor kids from some ghetto attempting to play the best hand of spades they can with the cards they were dealt! How they interpret the struggle in which they’re embedded notwithstanding.

We live in the projects, we descend from slaves
A lot of us don’t even got shit, and do anything to get paid…
Who Jigga that ni**a ain’t Satan, and West just hood at best
And If they homo, I do not know and I could care less

Nahh they ain’t the Bilderbergers, nahh they ain’t the Rothschild’s?
That’s right they da Rockefeller’s, nahh that’s just dem ni**as style
Illuminati sellin’ your mind soul and body
and they ain’t ever need no rappers to accomplish that

Rappers, be they mainstream, underground, “conscious” or gangster, are not responsible for engineering much other than music. However, the wealthy members of this body we call the Illuminati are publicly known to the world as “social engineers.” They have masked their dirty doings in the vision impairing art of philanthropy. They are the subjects of Proverbs 17:23 which says “A wicked [man] taketh a gift out of the bosom to pervert the ways of judgment.” Again, the rapper by my assessment is at best, guilty of accepting the gift of misfortune and fame to not use his platform to confront this beast – at least sometimes.


rhythm I ride on top of that, given you the truth so copy that
soon the e-conomy collapse, great tribulation after that
skull and cross bone pirate hats, British west indies company cats
we call that Steve Cokely raps, illuminati coming but I’ll be back

Jay Z, West nor any other rapper will be responsible for the collapsing of America’s economy or any other economy in the world. These grapes of wrath had been sown before Hip Hop was pushed out of the womb of black music’s blues.

VS 3
Before they collapse the market, they’re criminalizing farming
they’re silencing you for talking, while turnin us all into peasants
Agricultural patents ConAgra created the famines
Monsanto’s seeds that terminate the natural birthing action

The above four measures are intended to address the Orwellian type reality in which we now find ourselves. Wherein, scientists of all fields are being bankrolled by major corporations, philanthropic foundations, and so-called “social engineers” like the real Rockefellers to use their talents NOT to sustain and preserve human life. Rather to reduce it via man-made famine, weapons of mass destruction, global sterilization initiatives, etc.

Controlling the food supply, choosing who should live or die
Confusion rules you choose the lie, illusion illuminates your mind
These are the last times, spend them getting organized
Victory be with the strongest tribe, the ones that forge the tightest ties

The light is ours, they’re the sons of darkness in disguise
Edom’s fall is Jacob’s rise, so the prophets prophesied
Cecil Rhodes mining more than just De-beers
We’re rewinding through the years but you would rather drink da beers

John Cecil Rhodes in his Confessions of Faith laid out his life, and after death, mission and goal when he said why not have a secret society with one purpose but to see that his race rules forever. He discussed taking over Africa, enslaving and exterminating the population on the continent (what part of that has not been done or isn’t progress? And how much of it was done by or because of rappers?). He spoke of Africa without Africans, meaning more land to produce more of what he called the most superior race – the Anglo-Saxon.

While your peers disappear, off the corner every year
Prison population risin’ abortion clinics everywhere
Truth is they don’t want us here, there’s no cotton left to pick
Physical labor is redundant, secret shifts in politics

In the event, Jay Z, Kanye West, the “Illuminati Princess” – Rihanna (LOL), or any other financially well-to-do rapper, athlete, talk show host (Oprah included) is caught going across the border with kilo’s of illegal drugs, weapons, or underage children smuggled out of some Third World country their asses are going directly to jail and will not be collecting $200 for passing go! They do not control, have membership in, or find favor from this monopolizing oligarchy. They are used by it at best!!!

Listen, rappers who promote and or perpetuate racist and or offensive stereotypes should be held responsible. However, they are not on the same level as the people and the system that funds apartheid schooling, controls, regulates, and collapses economies, concentrates poverty into hyper-segregated ghettos, discriminates against black farmers, starts eugenics programs, denies you and destroys the health care system, lies to start wars, let us drown in Katrina, started blockbusting, redlining, and white flight, closes down libraries (in urban areas), stopped after school programs, environmental racism: high levels of manganese and lead in predominantly black communities, monopolizes the media, started global warming, imports and exports drugs, imports and exports children in sex rings, maintains Guantanamo Bay and Abu Ghraib, funds the prison industrial complex, let pedophiles priests run rampant in and out of the Vatican, and uses the IMF and World Bank to destroy and destabilize countries through debt manipulation. Rappers, are for the most part symptoms of the aforementioned problems and by no means represent the causative factors in this reality.

Jay Z might have been on and owned Rocafella records but he didn’t write and enforce the racist Rockefeller Drug Laws. It’s time to take our focus off the puppets and redirect it onto the puppet masters. This approach will serve us well in our effort to raise the people’s awareness of this system of oppression that is so subtle it provokes neither rebellion or escape. Then maybe, some upcoming rappers of tomorrow will be able to see the big picture that many of their peers fail to see (and some pretend not to see) for poverty and want of all things.

I have to say I’ve always liked Poor Righteous Teachers (still bumping “Shayilah”). The group did raise awareness about the Illuminati stronghold on the masses years before it became “mainstream”. I agree with most of Wise Intelligent’s comments regarding celebrities. As he says:“They do not control, have membership in, or find favor from this monopolizing oligarchy. They are used by it at best!!!”. I’ve noticed in the pass year a “mainstream-ization” of Illuminati theories, devolving into schoolyard rumors, celebrity gossip and a whole bunch of finger pointing. These people believe they are now “aware” and “awake” they totally miss the true issue at hand: the control of society by an rulers nobody voted for. As Wise Intelligent says, “It’s time to take our focus off the puppets and redirect it onto the puppet masters”.

One thing he however seems to downplay is the importance of mass media in the carrying out of the elite’s operations. He says: “Illuminati sellin’ your mind soul and body and they ain’t ever need no rappers to accomplish that”. Actually it does. Mainstream media is the ultimate tool to shape and mold opinions, to create desires and to sell dreams. While the daily news appeal to the logical thinking and reasoning of the viewers, pop music and movies appeal to raw emotions. They are another battlefield in psychological warfare and the most effective. The power to bypass a person’s rational mind to directly reach his/her’s inner-being is the ultimate goal of all advertisement and propaganda.

“It is the emergence of mass media which makes possible the use of propaganda techniques on a societal scale. The orchestration of press, radio and television to create a continuous, lasting and total environment renders the influence of propaganda virtually unnoticed precisely because it creates a constant environment. Mass media provides the essential link between the individual and the demands of the technological society.”
– Jacques Ellul

Without mass consent, the elite’s agenda would go nowhere. Each new step would be met with social uproar. Media is the link between the power and the masses: It provides a constant stream of entertainment and information calculated to direct the mass consciousness towards a specific direction. Mass media is the ONLY point of contact between the masses and power. It is therefore necessary to properly understand its messages, to dissect its meanings and to spot its codes. That being said, which segment of the population is most likely to be influenced by the media? Who do the media mostly aim? The youth. And this is not a new concept.

“The Nazi leadership appreciated the difficulty of indoctrinating the older generation…. They were all the more determined to mold the new generation along Nazi lines. As the leader of the Nazi Teacher’s League, Hans Schemm, put it: ‘Those who have the youth on their side control the future.”
– Nazism: A History in Documents and Eyewitness Accounts

If one would want to convince a young person of the pertinence of an idea, which technique would be more effective: 1) Bringing out an old man with white hair and a flow chart to explain the idea; 2) Having his/her favorite star portray this idea in a music video with sexy dancers and catchy music?

There is a positive point to take out from all of this. Discussing the link between the elite and popular artists has definitely brought attention to a subject that would otherwise NEVER interest the youth (hence the goal of this website) It has also prompted artists some artists to become more vocal on important issues. Funny how none of them are questioning the existence of the Illuminati. To have these issues raised in mainstream pop culture is an amazing feat and I’m proud that the Vigilant Citizen and all of its readers are part of it.

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The World of Mind Control Through the Eyes of an Artist with 13 Alter Personas

Posted by Admin on September 30, 2011

http://vigilantcitizen.com/vigilantreport/the-world-of-mind-control-through-the-eyes-of-an-artist-with-13-alter-personas/

The World of Mind Control Through the Eyes of an Artist with 13 Alter Personas

By  | September 22nd, 2011 | Category: Vigilant Reports | 271 comments

Kim Noble is a rare occurrence: a trauma-based mind control survivor with over 13 alter personas who don’t know each other but who all paint. She has suffered DID and MPD (dissociative identity disorder and multiple personality disorder) for most of her life, as a result of an extremely traumatic childhood. Each one of her alters paints with a personal and distinctive style but they all have one thing in common: they reveal the dark world of mind control programming, from its horrific techniques to its symbolism. We’ll look at the works of this unique artist who reveals a world that is totally hidden from the masses.

Many articles on this site point out the presence of mind control symbolism in popular culture. Photo shoots, music videos and movies often glamorize and trivialize mind control and its symbolism by associating it with famous stars and trendy happenings. The fact however remains that these references celebrate one of the most abominable practices known to man: trauma based mind control, also called Monarch programming. Originating from the secret CIA project called MK-Ultra, Monarch programming subjects its victims to some of the most sadistic tortures conceivable (for more details on Monarch programming see the article entitled Origins and Techniques of Monarch Mind Control).

The works of Kim Noble vividly document the life of a mind control slave through the eyes of 13 alter personas. While a few of these alters paint peaceful landscapes and nature scenes, most of them depict horrific aspects of mind control such as physical torture, electroshock, violent sexual abuse, dehumanization and dark occult rituals. The stories told by these paintings are almost too much to bear, yet they likely actually happened to Kim Noble as they precisely reflect  accounts of other Monarch survivors. Looking at the works of Kim Noble not only reveals gritty details of an abominable practice carried on by “elite” organizations, it reveals the symbolism that is also thrown in our faces on a daily basis through corporate-owned mass media. Let’s look at the life and works of Kim Noble.

Who Is Kim Noble?

I have the feeling that Kim Noble herself would have trouble answering this question. Here’s the biography found on her official website.

“Kim Noble  is a  woman who, from the age of 14 years, spent 20 years in and out of hospital until she made contact with Dr Valerie Sinason and Dr Rob Hale at the Tavistock and Portman Clinics.  In 1995 she began therapy and was diagnosed with Dissociative Identity Disorder (originally named multiple personality disorder). D.I.D is a creative way to cope with unbearable pain. The main personality splits into several parts with dissociative or amnesic barriers between them. It is a controversial disorder but Kim has had extensive tests over 2 years by leading psychology professor at UCL, John Morton, who has established there is no memory between the personalities and that she has the misfortune of representing the British gold standard over genuine dissociation.

Having no formal art training, Kim and 13 of her personalities (alters) became interested in painting in 2004 after spending a short time with an art therapist. These 12 artists each have their own distinctive style, colours and themes, ranging from solitary desert scenes to sea scenes to abstracts, collages, and paintings with traumatic content. Many alters are unaware that they share a body with other artists.

What is remarkable to all is both the quality of their work and the speed of their progress. Within five years of starting to paint they have already had seventeen successful solo exhibitions and participated in an equal number of group exhibitions. Kim was also the first Artist in Residence at Springfield University Hospital in Tooting, South West London.”
– kimnoble.com

Despite the fact that she has to live with 13 alter personas – who randomly take control of her body – Kim Noble is fortunate enough to be living a relatively normal life. The fact that the programming stopped at a young age has helped her become “well-adjusted”. She has a teenage daughter named Aimee, who was mostly raised by the motherly alter named Bonny.

In the past few years, Kim Noble enjoyed some mainstream exposure and was featured in national newspapers such as The TelegraphThe GuardianThe Independent and several others. She even appeared at the Oprah Show, where she was interviewed and was shown switching personas. As you might expect from mainstream media, the coverage of Noble’s condition was extremely superficial and focused on exploiting the “freak” aspect of her condition for shock value. The true cause of her condition, trauma-based mind control, which is extensively described in her works, is almost never mentioned.

Although most articles and interviews about Noble “applauded” her courage and whatnot, none of them dared discussing the core message of her work and the system that it describes. Many of Noble’s paintings depict terrible scenes of organized, institutionalized and systematic violence, torture, and child abuse combined with elaborate occult symbolism. It is obvious that the trauma Noble went through was not caused by a single sadistic father but by an organized entity that held many children. The only article I found delving into the mind control aspect of Noble’s work was The Art of Dissociation from the excellent website Pseudo-Occult Media. However, to most newspapers, Noble’s work is nothing more than an example of “outsider art” (a term popularized by trendy art-world douches to identify art created by people with mental problems). Most observers are fascinated by the fact that each one of Noble’s alters paint with a distinctive style, but it’s as easy to recognize that her collective works describe her past as a Monarch programming victim.

The “real” Kim Noble does not recall any of the abuse she suffered – several of her alters do, however, and they express all of it in their paintings.

“To all intents and purposes, each of Kim’s personalities is an artist in their own right: Patricia paints the solitary desert landscapes, Bonny’s pictures often feature robotic dancing figures or “frieze people”, Suzy repeatedly paints a kneeling mother, Judy’s canvasses are large, conceptual pieces while Ria’s work reveals deeply traumatic events involving children.

These disturbing images are at the root of Kim’s extraordinary condition; DID is a creative mental survival strategy whereby the personality splits at a young age due to severe and chronic trauma. The number of personalities that exist often depends on how long the trauma lasts. But Kim herself has no memory of being abused as a child; she has been protected over the years by her alters.

“I’ve been told I was abused and to me at this moment in time, it’s too much. It goes in one ear and out the other. It’s no good retraumatising me and telling me something I don’t want to know – in any case, there would be a switch.”

Kim has good reason to fear learning about her past as it’s possible that if she acquires too much information, she won’t be able to cope and will “disappear”. It’s happened twice before. (omega)

This is where it gets really weird – for Kim isn’t Kim at all. The personality I am interviewing is Patricia and it is she who manages her and Aimee’s lives, but Patricia wasn’t always the dominant personality. Before Patricia took over, Bonny held the fort and two years previous to Bonny, it was Hayley.

Kim watches me closely as she explains: “You see Kim is just the ‘house’, the body. There isn’t a ‘Kim’ at all – she has completely split. So we answer to the name Kim but really I am Patricia. When people call us ‘Kim’ I suppose many of us just assume it’s a nickname, but once people know you they don’t use your name very often in conversation.”

Of the 20 or so personalities who share “Kim”, some are easily identifiable: there is 15-year-old Judy who is anorexic and bulimic, maternal Bonny, religious Salome, depressed Ken, sensible Hayley, Dawn, Patricia and elective mute MJ. There are also a handful of children “frozen” in time. A few of the alters know about the DID but many are unaware – or refuse to accept it.

“Judy doesn’t believe in the DID,” explains Kim. “She’s only a teenager and she calls our therapist a nutter when she tries to explain it to her. She’s so young, she doesn’t even think Aimee is her daughter. She knows about me and she thinks that I’m a terrible mother because I’m always leaving Aimee. To her, it’s totally normal to keep coming and going. She probably thinks that you come and go too.”

There are certain “triggers” that can force a change and gradually Kim has learnt what they are in order to avoid them – but it doesn’t stop her switching up to three or four times a day.”
– The Independent, “Kim Noble, a Woman Divided”

Let’s look at some of the works created by some of Kim Noble’s alters as they each provide a different look at the shady world of Monarch programming. Regular readers of the Vigilant Citizenmight realize that a lot of the symbolism found in Noble’s paintings are also found in popular culture.

Warning: Several of these paintings depict disturbing scenes which might not be suitable for young or sensitive readers.

Bonny

Bonny, who was Kim’s “dominant” alter for a few years, is a warm and motherly figure. Most of her paintings portray humans as mechanical robots – which is one of the ways one could describe a mind control slave. Other pieces are more directly related to Monarch programming such as this one, aptly titled “I’m Just Another Personality”.

“I’m Just Another Personality” visually represents the splitting of the subject in several alters. The central figure, or the core personality has become simply “another personality”. It is blindfolded, representing the victims total blindness to its condition.

This kind of imagery is sometimes found in popular culture by acts who exploit mind control imagery.

Lady Gaga on the cover of V with two alter personas.

Another piece made by Bonny, ironically named I-Test, symbolically depicts the reality of a mind control slave.

“I-Test” portrays a blank, emotionless face with blindfolded eyes. The skull is cracked, representing the fracturing of the psyche. One of the eyes is bloody and we can assume that it has been poked out. The symbol of the missing/hidden eye is extremely important in the world of Monarch mind control. It symbolically represents the loss of half of victim’s vision of the world – the other half being “taken out” and controlled by the handlers. In occult symbolism, the emphasis on one eye can refer to the Eye of Horus, the All-Seeing Eye, a symbol of the occult elite.

A promotional t-shirt of the movie Sucker Punch (which was all about Monarch Programming – see “Sucker Punch” or How to Make Monarch Mind Control Sexy) featuring a bloodied eye.

A cracked face on a promotional poster of Black Swan – another movie with heavy mind control elements.

Golden Dawn

Golden Dawn is the alter that saw the birth her daughter Aimee. However, Dawn believes that Aimee is still a baby and does not recognize the teenage girl that lives with her. The name “Golden Dawn” has a heavy occult connotation as it is the name of an important and powerful secret society that taught Hermetic Kabbalah, astrology, occult tarot, geomancy, and alchemy to its initiates. It held within its ranks prominent occultists such as Arthur Edward Waite and Aleister Crowley. The process of Monarch mind control combines state-of-the-art “science” (if you can call torture “science”) with ancient occultism, whether it be in hermetic theories, kabbalistic symbolism or invocation rituals. It is therefore no surprise that she was given this occult-inspired name.

Her piece entitled “The Naming” visually depicts the process of creating and naming a new alter.

“The Naming” is an auto-portrait of Kim with one eye that was removed from the face and placed above her, bloody, which conveys the violent nature of the process. Once again, mind control is symbolized by the loss of an eye which appears to have been replaced by a text/poem that was probably used to program her.

Most of Dawn’s other paintings feature limbless, mannequin-like figures who are subjected to various methods of torture.

“Armless Goddess” portrays a hopelessly powerless figure, ironically referred to as goddess.

“Armed Goddess” depicts another traumatic torture scene.

Key

The alter “Key” appears to have a profound understanding of the process of mind control and its underlying occult aspect. The name “Key” might refer to terms such as the “Key of the Mysteries” or “Solomon’s Key” as she seemed to have been programmed to understand some of the occult concepts utilized in mind control. Most of this alter’s works describe the programming process as a kabbalistic “Great Work”, with the Tree of Life (the main symbol of the Kaballah) as the main object of focus.

“It Happens” is an extremely detailed work describing the several layers of programming required to traumatize and program a mind control victim. The title “It Happens” is a disabused way of saying that … all of this really happened.

“It Happens” is comprised of overlapping layers surrounding a central figure: a helpless person strapped to a bed. The head is symbolically “decapitated” from the body using a line, representing the concept of dissociation. Each one of the overlapping layers contains a set of pictographs representing either traumatic events or occult symbolism. The outer layer depicts scenes of victims being electrshocked, hung from a tree, being caged, raped (sometimes with animals), caged, buried alive and more. From this outside layer, arrows point towards the second layer, which contains zodiac signs. According to F. Springmeier, zodiac signs are used as a code to assign and file body programs. The center layer surrounding the victim contains words such as “Hell”, “Devil”, “Blood” and “Kill” which are shock words used to further traumatize the victim.

This one, entitled “Golden Kaballa”, uses the same basic layout as the previous image but replaces scenes of trauma with occult symbols and the central figure with the kabbalistic Tree of Life. Each one of the Tree of Life’s colourful spheres, named Sephirots, are used in Monarch mind control as “compartments” to store alter personas. The outer layer of the work contains the name of each of the ten spheres of the Tree of Life with its associated Hebrew letter.

By overlapping the trauma depicted in “It Happens” with occult aspects of “Golden Kabballah”, we get a rather complete idea of the process of mind control. They schematize, with near mathematical precision, a process that is described by authors on mind control such as Fritz Springmeier.

“The Cabala is synonymous with Hermeticism or Hermetic magic. The Cabala was jewish-babylonian magic. The jewish black magicians brought it to Europe. It began to get widespread notice in Europe after Enlightenment period. The great pyramid according to the occult is a symbol of the Cabalistic Tree of Life–the branches of the tree form the four streams or lines to the base of the pyramid. Because the Cabala is the basis of their hermetic magic, Illuminati systems will be fairly consistent in the make of a slave’s internal Tree of Life and Tree of Evil. (…)

The rooms of the tree of life have names. Essentially, every Illuminati hierarchy victim, has the Cabalistic tree of life placed in them. This tree lies below the other trees. The circles that make up the internal Cabalistic Tree of Life are called rooms or quads by the various survivors. Alters can use the internal Tree of Life to work magic internally. It also reminds deeper alters of cult control. The circles of the tree are rooms that can be entered into. Mt. Qabbalah is a figurative mountain in the Cabala.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

This next piece, entitled “Seven Levels” is another highly detailed account of the process of dissociation.

Comprised of several layers, this works depicts, from bottom to top, the “evolution” of a slave from the hell of trauma to the “heavenly” feeling of dissociation. The bottom two layers depict several horrific scenes of trauma. For example, we see in the bottom left corner a pregnant women giving birth to a dead child in a pool of blood under disturbing phrases such as “No Life”, “Death” and “Blood Death All Around”. There are also several caged children, others being electroshocked and others hung upside down. Inverted crosses are found all around these two bottom layers, reminding us that these traumatic events are Satanic Ritual Abuse (SRA).

All of this trauma, pain and suffering seems to be “channeled” towards the layers above, consisting of a plethora of occult symbols such as the Tree of Life, the signs of the zodiac and All-Seeing eyes. It is during this occult level that the transformation occurs.

The top layer represents the (only) escape to all this trauma: dissociation. It is represented by an angelic figure rising to the sky. Looking closely however, we see an All-Seeing Eye in the sky, which reminds us that this escape is not true freedom, but a controlled state that has been induced by the handlers.

Judy

This alter is a teenage girl who is anorexic.  Most of her paintings place a heavy emphasis on the concept of duality  – one of the most basic occult concepts exploited by mind control rituals. Duality is an ancient hermetic concept which is traditionally represented with the juxtaposition of the colors black and white, as with the Masonic checkerboard pattern or the symbol of the Ying Yang.

Judy’s works often give a prominent place to the Masonic checkerboard floor, the surface on which occult rituals and ceremonies take place in secret societies. She was probably heavily exposed to the concept of duality (good girl vs evil girl – something that is also found in popular culture) and the symbol of the checkered floor was probably physically used during programming.

“Crying Rose” fully exploits the theme of duality used on mind control victims to create a “split of personality”. The crying girl, who is dressed in a checkered dress, reflects the checkerboard pattern floor, therefore insinuating that duality is occurring within her.

This piece, titled “Symbolic or What”, is indeed … symbolic. Two girls (or two personas of the same girl) avoid stepping on the checkerboard floor due to the presence of a snake. They appear to be covering their genitals, implying that the snake is phallic symbol. The painting also attests to the great psychic power of the checkerboard pattern on victims, a trait that was probably part of the programming.

This painting portrays Monarch slaves as literal pawns on a chessboard, who are “played with” to then be disposed of by their handlers.

This self-portrait depicts Judy as a person divided into opposite entities. The concept of duality is therefore very present and represented by the juxtaposition of the colors black and white. The shock words and insults on the image recall the violent and abusive process that leads to the fragmentation of the personality.

Ria Pratt

The paintings made by Ria Pratt are the most graphic and disturbing but also the most revealing. The alter believes she is a 12 year old girl and has vivid recollections of the trauma she has been subjected to, whether it be sexual, physical or dehumanizing. Simply watching these paintings is a difficult experience – it is further disheartening to realize that she actually lived these situations.

“It’s a Dog’s Life” depicts mind control victims being held on a leash like dogs – a technique to humiliate and dehumanize the victims. Notice the “transparent” version of the children floating in the air, representing their dissociated alter personality. An inscription on the wall says “Pratt Was Here” which emphasizes the fact that she saw and lived these things first hand.

Entitled “Too Much”, the painting depicts a victim being electroshocked by a handler with a sick smile. The pain is “Too Much” to handle, resulting in the victim’s dissociation.

“What Ted Saw” depicts the abuse of a small child by its handlers. “Ted” is the small Teddy Bear sitting on the floor. Young mind control victims are often given Teddy Bears by their handlers to make them develop an emotional attachment to them. This attachment is then exploited by the handlers to create emotional trauma.

In “Ted’s Legless”, Ria’s handler rips off one of her best friend’s legs while forcibly holding her on the ground. The trauma causes dissociation, which is represented by the transparent version of the girl. Haunting words are inscribed on the wall: “Help Me Please” and “Pratt was Here”.

The symbol of a teared up teddy bear sometimes utilized by mass media in works containing hidden references to mind control. This scene is from a music video from pop singer Jessie J’s (see full article here), which contains several references to Monarch programming.

“Unspeakable” depicts the unspeakable: the abuse of small children by their handlers. Strange phrases a written on the wall along with an inverted cross, a symbol that appears to be hardwired into the brains of Monarch slaves.

“No No!” depicts a forced abortion or premature birth. The bloody operation is witnessed by Ria, probably to traumatize her. According to Ellen P. Lacter, fetuses are either sacrificed in rituals or used as slaves.

Another of abuse involving children, who have dissociated (transparent bodies floating).

Children caged up like animals about to be tortured by a handler (who also appears to have dissociated).

This sums up the life of a Monarch slave.

In Conclusion

Although Kim Noble enjoyed some mainstream exposure, the true source of the artist’s condition – Monarch programming – is nowhere to be found in mass media. Analyzed in its entirety, Noble’s body of work describes a highly organized and complex system that appears to hold great amounts of knowledge- occult and scientific – as well as material resources. This system also appears to literally own humans, mostly children, who are  abused and traumatized to create within them programmable alter personas. The fact that no newspapers dared to investigate (or even mention) anything related to MK-Ultra, a program that was proved to use the exact techniques described in the paintings, tells volumes about the power of those operating it. The soulless handlers depicted in Noble’s paintings are not lone psychopaths, but high level officials of the Illuminati system who enjoy media immunity. In fact, they are sometimes part of the media as the worlds of the entertainment business and Monarch programming often collude.

Partly for this reason, the symbolism used during Monarch programming has spilled over to the mainstream entertainment business. Some of the world’s biggest stars are products of mind control. The same symbols used in the programming of Monarch slaves is sent to the world through mass media. High level mind control handlers and slaves (those who have “succeeded” at the various levels of programming) end up operating in show business. Some of our favorite entertainers are nothing more than puppets whose strings are pulled by unseen handlers. These handlers are “unseen” to most, but they certainly make themselves “seen” through the symbolism placed in the media.

Many of the symbols described on this site directly originate from the shady world of Monarch programming, which uses a complex system of occult images and powerful triggers. Although most of us are fortunate enough not to live through the hell endured by these MK slaves, we are still subject to a form of programming using movies, television, music and other forms of mass media. Those who operate behind the scenes attempt to slowly normalize their existence and their depraved behaviour. Why are children being so aggressively sexualized in mass media? Is it because people in the entertainment business are connected with the people who commit the horrific acts portrayed above? Sadly, the reality is sicker than the fiction.

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